| WMT WORLD MUSIC THERAPY FORUM WMT
|
 |
| HOME |
| SITE MAP |
| FORUM |
| |
| Chronomedicine |
| Medical |
| MAIN LINKS |
Not even within
an atom there seems to be structurally any kind of rhythmical dominance, but
the influences of the individual oscillations seem to be continuously changing.
And if, for instance, every single of our human organs has its very own, but
changeable rhythm – of which today's medical science has already recognised
hundreds of different, changing basic rhythms – one still cannot talk
of the rhythmical dominance of one of our organs compared to an other one,
but in fast alternating change, sometimes this one, then the other one has
the rhythmical dynamic upperhand.
Intuitive Research of the Microcosm of Music
Our great classical sound creators then also pursued new intuitive methods, and their previous systematic inner realisation and application of the natural laws of harmony of the microcosm of music we nowadays call our “History of Music”. And musicology pursues the empirical scientific method with the help of large special laboratories.
Our
European history of music marks the way of intuitive research of the microcosm
of music through our great classical sound creators.
This tradition was interrupted with the creation of twelve-tone music, and
is today continued by the classical sound creator Peter Huebner.
The famous musicologist and astronomer Johannes Kepler also reaffirmed that the paths of the stars follow the same laws of harmony as the inner sound paths or developments in the microcosm of music. Indeed, Kepler even originally calculated the planetary orbits on the basis of his music theoretical findings.
Applying
the Laws of the
Microcosm of Music
to the Course of the Stars
Particularly in today's music, we must learn again to realise the democratic
interplay of many rhythms. The natural microcosm of music does not know a
rhythmical fixation or dictatorship of a certain nature – as, by the
way, neither does the whole of nature.
|
“‘Natural’ music is music created intuitively oriented towards nature and in accordance with the laws of nature – music which originates in the com-poser and accordingly in the interpreter in unison with the laws of harmony and nature: completely playfully and without any effort whatsoever.”
|
  |
|
|
|
||